The Library of Maps, #8
THE CARTOGRAPHERíS LAST MAP

I
It ran in her family, making maps.

Her parents and grandparents had made maps, as had her great-grandparents.

As a child, before she had even learned to talk, she started to trace maps in the sand of her playpen—a line here, and a circle there.

When she was a young woman, she was approached by the Chief Librarian.

Would she be willing to record maps, ones that were too large to be brought to the Library of Maps?

And this is what the Cartographer did, year after year, winter after winter, summer after summer.

She recorded the Map of the Brain, which was carved out of huge white boulders on the far side of the moon.

She recorded the Map of the Lungs, which covered many miles in a marshy area of a little-known island off the coast of Brazil.

As the years progressed, she was given fewer and fewer directions as to what to seek out.

She began to sense, unerringly, how to find the most obscure of these huge maps, sometimes buried beneath the water, or concealed in caves, or (one time) floating in the sky.

II
At one point, the Chief Librarian asked if there was anything else she would like to record.

The Cartographer thought for a long while, and then told her: “The Map of Shadows.”

The Chief Librarian had suspected she would say this, knowing it was the unrealized dream of all great cartographers.

For months, the Cartographer studied shadows—cast by the moon in its eclipse, by skyscrapers on the streets, by airplanes flying over sunlit desert dunes, by …

Exhausted, and unsatisfied, she sat in her study early one morning, her head buried in her hands.

Silently behind her, a young woman appeared, offering her a strange small paint brush
that left no mark on the paper, only its shadow.

The Cartographer now had no trouble completing the Map of Shadows.

When she was finished, she paused, then gave it to the young woman.

“My last map,” she informed her.

The young woman nodded, thanked her for the present, and disappeared, carrying the map.

III
In the Library of Maps, there is a long shelf, neatly labeled, holding a complete set of the Cartographer’s maps, each a model of precision.

To one side of the shelf is a small card explaining that “the Cartographer ceased making maps in the year 2050, and thus never realized her greatest dream, the Map of Shadows.”

Though the Map of Shadows remains unknown to the Library, it is actually quite safe in the hands of the young woman, who often uses it to guide her travels.

by Moira Roth
Written 3/30/2001, revised 4/02/2001